
What do you get when you combine a budding artist, a shirtless art assessor and two “snack-obsessed” art assistants? You guessed it; you get “The Art Interview”, the newest Film by Thinkpierce.com. Click here to watch it now at ThinkpierceArt.com.
What do you get when you combine a budding artist, a shirtless art assessor and two “snack-obsessed” art assistants? You guessed it; you get “The Art Interview”, the newest Film by Thinkpierce.com. Click here to watch it now at ThinkpierceArt.com.
Have you ever wanted to know what 3 ft by 5 ft framed prints of Thinkpierce Art would look like up close and personal? Well now you can… This month I’m the featured artist at Shades of Brown Coffee at 33rd and Peoria. Whether it’s a $50 framed print, a $9 book or a $5 mug, there’s something for everyone. This is also a great chance to check out paperback copies of the “Zap Nugget” book in person, which features zany illustrated stories. In the front room you’re greeted by a giant storage pallet that has “The Crab Dude” painted on it and a yellow cardboard arrow signaling the way to more art. Read More
Imagine cleaning a clogged garbage disposal and in one wrong move, a huge wad of sludge drops in to your hair, matting it down horribly. Well that’s basically the kind of inspiration Jonathan Pierce pulls from when creating portrayals like “Mealtime” and “Karl vs. LaDonna”. Jonathan first draws each illustration in pen, passes it along for coloring and then dips a final version in a vat of insecticide for authentication. The best way to enjoy Thinkpierce Art is to order a custom sized print at the Thinkpierce Store. But if that’s not possible, you can actually make your own in three easy steps: 1. First, dislodge a huge clump of sludge from under your refrigerator 2. Next, mix it in a bowl of mayonnaise until “gloppy” 3. Finally, use a butter knife to spread the mixture on the hood of any running car and let it “bake” overnight. If you can manage to scrape it off in one piece the next morning and glue it to your wall, you’re all set. Read More
Imagine cleaning a clogged garbage disposal and in one wrong move, a huge wad of sludge drops in to your hair, matting it down horribly. Well that’s basically the kind of inspiration Jonathan Pierce pulls from when creating portrayals like “Mealtime” and “Karl vs. LaDonna”. Jonathan first draws each illustration in pen, passes it along for coloring and then dips a final version in a vat of insecticide for authentication. Read More
Imagine cleaning a clogged garbage disposal and in one wrong move, a huge wad of sludge drops in to your hair, matting it down horribly. Well that’s basically the kind of inspiration Jonathan Pierce pulls from when creating portrayals like “Mealtime” and “Karl vs. LaDonna”. Jonathan first draws each illustration in pen, passes it along for coloring and then dips a final version in a vat of insecticide for authentication. Read More
Imagine cleaning a clogged garbage disposal and in one wrong move, a huge wad of sludge drops in to your hair, matting it down horribly. Well that’s basically the kind of inspiration Jonathan Pierce pulls from when creating portrayals like “Mealtime” and “Karl vs. LaDonna”. Jonathan first draws each illustration in pen, passes it along for coloring and then dips a final version in a vat of insecticide for authentication. Read More
Imagine cleaning a clogged garbage disposal and in one wrong move, a huge wad of sludge drops in to your hair, matting it down horribly. Well that’s basically the kind of inspiration Jonathan Pierce pulls from when creating portrayals like “Mealtime” and “Karl vs. LaDonna”. Jonathan first draws each illustration in pen, passes it along for coloring and then dips a final version in a vat of insecticide for authentication. Read More
Imagine cleaning a clogged garbage disposal and in one wrong move, a huge wad of sludge drops in to your hair, matting it down horribly. Well that’s basically the kind of inspiration Jonathan Pierce pulls from when creating portrayals like “Mealtime” and “Karl vs. LaDonna”. Jonathan first draws each illustration in pen, passes it along for coloring and then dips a final version in a vat of insecticide for authentication. Read More